Lawrence English – A Colour For Autumn – CD – 12k

The ever-prolific Lawrence English resurfaces on 12k to continue his series of exploratory works that catalogue and analyse the shifting of the seasons in sound. Following on from Baskaru’s release of Varying Degrees of Winter, this 7 track piece, A Colour For Autumn combines field recordings from various locations, with English’s now masterful touches of drone-like ambience forming auditory landscapes that document and exploit the characteristics and contrasts of the season in all its manifestations in both hemispheres. Opening track, Droplet characterises English’s approach to the whole collection, fusing location recordings of the infamous Mistral wind blowing through the streets of Marseilles with rich swells of guitar tones. English then brings contrast into sharp relief with Watching It Unfold, inspired by Autumn as experienced in his home town of Brisbane, a less austere sense of the season in the antipodes, draped in warmth and elegance, with its gently plucked strings and enveloping ambience. This is an unhurried affair that brings with it the time and space for us to meditate upon these transitional events between regions and climates, the soundtrack to a “film yet to be made” that focusses on the dappled shades of autumn, the shift of light and shadows, a time of dying and rebirth, a time of changing colours and delicate textures. Here English captures the very essence of the seasonal transit, and enrolling the help of Fennesz on The Surface of Everything, and Dean Roberts’ vocalisations on Droplet has produced one of the most notable releases on 12k in the last few months. Absolutely essential. BGN



About whiteline1

WHITE_LINE was set up three years ago, in order to play and promote the work of artists and musicians working under the banner of "minimalism", in all its many guises. This has led to a regular and highly successful mix slot on the Garden of Earthly Delights radio show in the UK, and guest appearances on Resonance FM (frequenzen show). We now aim to extend the remit of the mix slots by reviewing (as often as possible) material that encapsulates and crystallises the minimalist ethic, and hopefully we'll be leading artists and audiences alike towards a deeper appreciation of this and other marginalised genres. I welcome your comments, and criticisms, and would love to hear from labels and artists who would like their work showcased on the show, or reviewed here. We regret that due to time constraints, we cannot review everything that is sent to us, but will endeavour to give exceptional work an "honourable mention" at the very least, and links to quality sites that we think worthy of mentioning. I am trying to support labels and artists as much as possible by promoting their work, not least because I am a stereotypical "struggling artist" myself, but also because there are so few younger artists entering this particular scene, and there is a danger of it becoming the sole domain of a handful of forty somethings who really ought to be doing something better with their time! Having worked for most of the more reputable underground magazines in the early 90's, I was never afforded the luxury of taking time and care over reviews, as deadlines and column space were always hanging like the sword of Damocles over me. With WHITE_LINE, I have the luxury of being able to review when I have time, and I am receptive to a particular mood, and hopefully this will reflect in the quality and length of some of the reviews. If you like what you see, please link to me to encourage more traffic through the site, and cross promote whatever is happening out there. Address for promotional material: 45 Drovers Walk Spring Park, Kingsthorpe Northampton NN2 8BB UK

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