Kenneth Kirschner – Filaments and Voids – 2xCD – 12k

I am sitting in a room, bathed in the ethereal vespertine light of a freezing November morning..outside, a dusting of snow on the ground renders my surroundings in monochromatic scales, and under high fidelity headphones the enchanting soundtrack to my day.. a perfect accompaniment to the grip of winter’s chill..Kenneth Kirschner’s Filaments and Voids. This is Kirschner at perhaps his most restrained, a duo of CD’s that freeze frames perpetual silences, peppering protracted absence with dashes of colour and life. Kirschner’s world here is one of warm austerity, catalogued in his own inimitable way with a date only..titling becomes insignificant as we are transported into these voids, solitary, meditative spaces of contemplation. At the same time, Kirschner suggests literal space as well..the space of the cosmos, perpetual darkness..vacuums broken with occasional luminance, a blister of activity..a distant hum. Here. Silence is the key compositional focus, and like his friend and contemporary, Richard Chartier, the sonic minutiae, and audible motes take on an almost spiritual spots of colour on brilliant white ground, Filaments and Voids owes its strength to anticipation and tension. For nearly two hours, and across the two discs, these pin spots of activity lure me into Kirschner’s universe lulling me into silence, ebbing and flowing on swells and crescendo’s of utter sublime brilliance, bleached bare of surplus colour, like the austere cover photo by label maestro, Taylor Deupree, this is sheer magic. There is little that I can add to the extensive liner notes in this wonderful package, other than just take some time out from your hum drum lives, and let Filaments and Voids melt your heart, and enliven your imagination. Sublime.BGN


About whiteline1

WHITE_LINE was set up three years ago, in order to play and promote the work of artists and musicians working under the banner of "minimalism", in all its many guises. This has led to a regular and highly successful mix slot on the Garden of Earthly Delights radio show in the UK, and guest appearances on Resonance FM (frequenzen show). We now aim to extend the remit of the mix slots by reviewing (as often as possible) material that encapsulates and crystallises the minimalist ethic, and hopefully we'll be leading artists and audiences alike towards a deeper appreciation of this and other marginalised genres. I welcome your comments, and criticisms, and would love to hear from labels and artists who would like their work showcased on the show, or reviewed here. We regret that due to time constraints, we cannot review everything that is sent to us, but will endeavour to give exceptional work an "honourable mention" at the very least, and links to quality sites that we think worthy of mentioning. I am trying to support labels and artists as much as possible by promoting their work, not least because I am a stereotypical "struggling artist" myself, but also because there are so few younger artists entering this particular scene, and there is a danger of it becoming the sole domain of a handful of forty somethings who really ought to be doing something better with their time! Having worked for most of the more reputable underground magazines in the early 90's, I was never afforded the luxury of taking time and care over reviews, as deadlines and column space were always hanging like the sword of Damocles over me. With WHITE_LINE, I have the luxury of being able to review when I have time, and I am receptive to a particular mood, and hopefully this will reflect in the quality and length of some of the reviews. If you like what you see, please link to me to encourage more traffic through the site, and cross promote whatever is happening out there. Address for promotional material: 45 Drovers Walk Spring Park, Kingsthorpe Northampton NN2 8BB UK

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