Steinbruchel/Machinefabriek – STAUB – 8cm CDR – Machinefabriek

Perhaps one of the most unlikely of pairings of the year so far, comes in the form of Steinbruchel and Machinefabriek, whose talents collided at a recent live outing at Kunstraum Walcheturm in Zurich, and was rapidly encapsulated in this neat little release for posterity.
Staub fuses the economic precision of Steinbruchel with the harsh, near industrial aesthetic of Machinefabriek. This fascinating hybrid combines warm laser-sliced tonalities over a gristly, noise-fest, that over the duration of the piece, constantly interface, and shift focus and perspective, giving equal opportunity for each artist to take the lead, and do what each does best. As the piece goes on, the industrial washes of sound become more prominent, with decayed slabs of feedback, or possibly overdriven static, interrupt and infect the clean dronescape, washing it out to extinction.

Having been a major follower of Steinbruchel for several years now, I find it refreshing to see him extending his repertoire into what many would consider as unfamiliar territory, and indeed, this kind of combination and consolidation of approaches inevitably leads to new ground being broken. It is often tempting for “quiet” artists in a live situation to impose themselves on the environment, and Staub could very easily have ended up spiralling into an amped up, overblown monster of a piece, so it is to the credit of both artists here that minimalist restraint and control of the medium was very much the order of the day. Small, but perfectly formed, Staub for me is a resounding success. BGN




About whiteline1

WHITE_LINE was set up three years ago, in order to play and promote the work of artists and musicians working under the banner of "minimalism", in all its many guises. This has led to a regular and highly successful mix slot on the Garden of Earthly Delights radio show in the UK, and guest appearances on Resonance FM (frequenzen show). We now aim to extend the remit of the mix slots by reviewing (as often as possible) material that encapsulates and crystallises the minimalist ethic, and hopefully we'll be leading artists and audiences alike towards a deeper appreciation of this and other marginalised genres. I welcome your comments, and criticisms, and would love to hear from labels and artists who would like their work showcased on the show, or reviewed here. We regret that due to time constraints, we cannot review everything that is sent to us, but will endeavour to give exceptional work an "honourable mention" at the very least, and links to quality sites that we think worthy of mentioning. I am trying to support labels and artists as much as possible by promoting their work, not least because I am a stereotypical "struggling artist" myself, but also because there are so few younger artists entering this particular scene, and there is a danger of it becoming the sole domain of a handful of forty somethings who really ought to be doing something better with their time! Having worked for most of the more reputable underground magazines in the early 90's, I was never afforded the luxury of taking time and care over reviews, as deadlines and column space were always hanging like the sword of Damocles over me. With WHITE_LINE, I have the luxury of being able to review when I have time, and I am receptive to a particular mood, and hopefully this will reflect in the quality and length of some of the reviews. If you like what you see, please link to me to encourage more traffic through the site, and cross promote whatever is happening out there. Address for promotional material: 45 Drovers Walk Spring Park, Kingsthorpe Northampton NN2 8BB UK

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