Heribert Friedl – TRAC(K)_T – CD – L-NE

line031mini.jpeg

www.12k.com/line 

 Heribert Friedl concludes his exhaustive series of cymbalon explorations with TRAC(K)T on the USA’s influential L-NE imprint. Here we see him taking a more introspective approach, releasing the source material from its organic origins, peeling away any excessive layers, reducing, processing and re-forming the cymbalon with a sculptural delicacy. What remains is a filtered distillation of sonic fragments. Being a struck instrument lends the source material certain rhythmic possibilities that Friedl engages with only fleetingly, and then, heavily drenched with reverb and various other filters, and heavily side-stepping anything that resembles linearity, or serialism. TRAC(K)T is a collection that makes great use of light and space, and sonic “events” become minute punctuation points that inhabit silence. At times, Friedl closes in on the source material, sharpening the focus, and using the raw instrument to it’s greatest effect, at other times, more subtle elements and effects are added, granular, digital gestures, shards and overspills that drift in the middle ground, utilising spaciality and expansiveness to create washy, luminous tracts. This is neither dreamy ambience, nor stark sonic intervention, but something that occupies a space somewhere between the two, a compelling and intelligently constructed work that transcends categories. BGN

Advertisements

About whiteline1

WHITE_LINE was set up three years ago, in order to play and promote the work of artists and musicians working under the banner of "minimalism", in all its many guises. This has led to a regular and highly successful mix slot on the Garden of Earthly Delights radio show in the UK, and guest appearances on Resonance FM (frequenzen show). We now aim to extend the remit of the mix slots by reviewing (as often as possible) material that encapsulates and crystallises the minimalist ethic, and hopefully we'll be leading artists and audiences alike towards a deeper appreciation of this and other marginalised genres. I welcome your comments, and criticisms, and would love to hear from labels and artists who would like their work showcased on the show, or reviewed here. We regret that due to time constraints, we cannot review everything that is sent to us, but will endeavour to give exceptional work an "honourable mention" at the very least, and links to quality sites that we think worthy of mentioning. I am trying to support labels and artists as much as possible by promoting their work, not least because I am a stereotypical "struggling artist" myself, but also because there are so few younger artists entering this particular scene, and there is a danger of it becoming the sole domain of a handful of forty somethings who really ought to be doing something better with their time! Having worked for most of the more reputable underground magazines in the early 90's, I was never afforded the luxury of taking time and care over reviews, as deadlines and column space were always hanging like the sword of Damocles over me. With WHITE_LINE, I have the luxury of being able to review when I have time, and I am receptive to a particular mood, and hopefully this will reflect in the quality and length of some of the reviews. If you like what you see, please link to me to encourage more traffic through the site, and cross promote whatever is happening out there. Address for promotional material: 45 Drovers Walk Spring Park, Kingsthorpe Northampton NN2 8BB UK

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: