This debut collaborative piece for NVO is an expansive soundwork, clocking in at some 37 minutes. On ” A Travers Le Bord”, Philips and King have combined forces for the first time in a detailed examination that they describe as a “crossing through a material edge or border…a liminal move from exterior to interior and vice versa…” This cerebral work opens delicately, drawing the listener in with a lightness of touch, delicate tones and pastel shades of sound which gradually explode (relatively speaking) and expand into tonal warmth underpinned with finely wrought, mysterious amniotic shards. There is plenty of light and shade to think and move, fragile work, but intensely masculine.

Here and there bursts of light, a splinter of sound to light the way and keep the piece dynamic, constantly shape-shifting, always fascinating. The deliciously minimal cover artwork gives little away; perhaps it is a diagram of a collision chamber, a place of silent activity, the collision of matter at sub-microscopic level, not immediately discernable within the human sensorium, but there nevertheless, real and chaotic, but intrinsically beautiful. Interpretations are many fold, but A Travers Le Bord is simultaneously meditative and energising, an expression of the internal and the external, gently expanding and contracting like breath, giving life, creating movement. 37 minutes passes all too quickly, but as an introduction to this charming collaboration, leaves me hoping for more. BGN


About whiteline1

WHITE_LINE was set up three years ago, in order to play and promote the work of artists and musicians working under the banner of "minimalism", in all its many guises. This has led to a regular and highly successful mix slot on the Garden of Earthly Delights radio show in the UK, and guest appearances on Resonance FM (frequenzen show). We now aim to extend the remit of the mix slots by reviewing (as often as possible) material that encapsulates and crystallises the minimalist ethic, and hopefully we'll be leading artists and audiences alike towards a deeper appreciation of this and other marginalised genres. I welcome your comments, and criticisms, and would love to hear from labels and artists who would like their work showcased on the show, or reviewed here. We regret that due to time constraints, we cannot review everything that is sent to us, but will endeavour to give exceptional work an "honourable mention" at the very least, and links to quality sites that we think worthy of mentioning. I am trying to support labels and artists as much as possible by promoting their work, not least because I am a stereotypical "struggling artist" myself, but also because there are so few younger artists entering this particular scene, and there is a danger of it becoming the sole domain of a handful of forty somethings who really ought to be doing something better with their time! Having worked for most of the more reputable underground magazines in the early 90's, I was never afforded the luxury of taking time and care over reviews, as deadlines and column space were always hanging like the sword of Damocles over me. With WHITE_LINE, I have the luxury of being able to review when I have time, and I am receptive to a particular mood, and hopefully this will reflect in the quality and length of some of the reviews. If you like what you see, please link to me to encourage more traffic through the site, and cross promote whatever is happening out there. Address for promotional material: 45 Drovers Walk Spring Park, Kingsthorpe Northampton NN2 8BB UK

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